Erick Calderon, founder of the generative art NFT platform Art Blocks, Tom Sachs, Jessica Wimbly, and others have also had their NFTs included in LACMA’s collection.įor Calderon, this is a full circle moment. John Gerrard donated one of his “Petrol National” series works, which were on view at Pace last year. LACMA will include several other works of minted generative art in their collection outside of de’ Medici’s cache of donated pieces. Generative art-works of abstracted art made with code that has been minted on a blockchain-has come to represent the most artistic contribution that the NFT scene has had to offer, especially in the heady days of 2021’s NFT boom. And the great divide separates the first category, PFP NFTs, and the mania of speculation that, from the second category, which is digital fine art like what we’ve seen from the generative art projects.” “The digital art world is splitting into two categories, I call it the great divide. “The term NFT has a stigma attached to it so we’ve stepped away from it,” de’ Medici said. LACMA and de’ Medici have made a conscious move to refer to these works as blockchain art, art minted on the blockchain, or on-chain art, as opposed to NFTs. Last November, Yuga Labs donated a Crypto Punk to the ICA Miami. The Centre Pompidou announced late last week that they had acquired a small collection of NFTs. LACMA isn’t the only museum acquiring NFTs right now. “As one of the first museums to support artists’ experimentation with technology, it’s fitting that LACMA would receive the first museum collection of blockchain art.” “For decades, artists have incorporated technology within their practice, and the intersection of art and technology has been central to LACMA’s programming since the ’60s,” Michael Govan, LACMA CEO and Wallis Annenberg Director, said in a press release. LACMA has taken numerous steps to highlight digital art, including their current exhibition “Coded: Art Enters the Computer Age, 1952–1982” and a Paris Hilton–supported fund to buy digital art works by female artists. That conversation sparked an idea to make a donation of a significant part of that collection to LACMA that would help seed a robust digital arts collection there.” “I told them about my collection, which tells the story of on-chain art, our evolution thus far. “I was introduced to Michael and Elizabeth at the LACMA and they’ve had a long interest in innovative, digital artworks,” de’ Medici said. Tarik Kiswanson, Celebrated Artist with a Focus on Mutable Identities and His Palestinian Family's History, Wins France's Top Art Prize
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |